Home Theatre

The best cinemas we deliver are the ones we specified before framing. Wall construction (double-stud staggered, insulated cavities), ceiling height (2.7m+ for full Atmos), room ratio (avoid perfect cubes), HVAC (silent quantum ducting, not a wall split), and lighting (indirect, dimmable, no downlights in the sightline) - all decided at the schematic stage.

For renovations we do what we can within the constraints and are frank about the ceiling that puts on the final result.

• 01Room ratio and construction advice from schematic through to lock-up.
• 02Acoustic wall panels, bass traps and diffusers integrated into the millwork.
• 03Quiet ducted air-conditioning with cinema-grade attenuation.
• 04Riser platforms, cinema seating, star ceilings.
• 05Dolby Atmos ready or full 7.2.4/9.4.6 immersive layouts.

For rooms 4m+ deep with genuine light control, a 4K laser projector on a 120-150 inch acoustically transparent screen is still the reference. For rooms with any ambient light or shorter than 4m, an 85-98 inch Sony or LG OLED is the better choice - brighter, punchier, and a better daytime experience.

We don't sell one over the other on margin. We sell what fits your room.

• 01Sony, JVC and Barco 4K laser projectors on acoustically transparent screens.
• 02Sony, LG and Samsung 85-98 inch OLED and QD-OLED for media rooms.
• 03Kaleidescape and Zappiti for reference-grade movie servers.
• 04Trinnov, StormAudio and Marantz processors for immersive audio.

Room correction software (Dirac Live, Audyssey, Trinnov ART) is the starting point, not the finish line. Every system we commission goes through a second, ear-driven pass where we tune bass management, centre-channel intelligibility and Atmos overhead levels to how the room actually sounds with real content playing.

It's the difference between a system that measures well and one you actually want to watch films in.